Kendrick Lamar – DAMN. Album Review

BACKGROUND INFO

ARTIST: Kendrick Lamar
ALBUM: DAMN.
RELEASE DATE: 14 April 2017
LABEL: Top Dawg Entertainment
GENRE: Hip Hop

CONTEXT

This is the fourth full-length album from American rapper and Compton, CA. native, Kendrick Lamar. He has a very solid discography and is known for his versatility. On his first album, Section.80, his style was a bit more raw, but still delivered in terms of content. His second album, good kid, m.A.A.d. city, told the story of his upbringing while blending in some skits. But perhaps his best project to date is his third album, To Pimp a Butterfly, which combined elements of jazz and hip-hop with socially aware and, frankly, pro-black content. Since the release of that album, more and more artists have begun to release more socially conscious music. In that respect, Kendrick is one of the few trend setters in the music industry.

SO HOW WAS THIS ALBUM? LET’S GO TRACK-BY-TRACK!

WARNING: The lyrics do contain explicit language which may be offensive to some viewers. I only include the lines I feel are most important to the overall message of the album.

1. BLOOD.

Kendrick goes to help a blind lady cross the street, but then… he gets shot.

Yeah.

After that, we hear this clip from FOX News where Giraldo Rivera and the other clowns critique Kendrick’s lyrics for being too “anti-police.”

Obviously, there is a very serious lack of understanding…

2. DNA.

…which carries into the bridge of this song. When Kendrick says, I got loyalty, got royalty inside my DNA, we also hear Rivera, from that same FOX News clip, state, “This is why I say that hip hop has done more damage to young African-Americans than racism in recent years.”

That’s just a stupid thing to say, and obviously, Kendrick knows that.

Tell me somethin’ / you mothafuckas can’t tell me nothin’ / I’d rather die than listen to you

Mike WiLL Made-It’s production is out of this world, from the sitar-like sound in the first verse to the bass rolls in the second verse. This was a very aggressive way to kick off the album.

3. YAH.

I can do without this song. I’ll leave it at that.

4. ELEMENT.

This track sounded very Drake-esque because of the percussion style and scattered piano keys. Like DNA., Kendrick is addressing his critics, more specifically the rappers throwing “shade” at him.

Most of ya’ll throw rocks and try to hide your hand / Just say his name and I promise that you’ll see Candyman

Just say Kendrick’s name. What, you scared?

He also throws it back to 1998 in the beginning of the third verse, replicating the flow of Juvenile’s 1998 hit song “Ha“. As a Juvenile fan, I enjoyed this reference very much.

If I gotta slap a pussy-ass nigga, I’ma make it look sexy / If I gotta go hard on a bitch, I’ma make it look sexy

The hook sounded a bit silly on the first few listens, but it is quite catchy. Not to mention, the lyrics make sense in the context of the song. If Kendrick does have to take one of these beefs to the next level, he is going to make it look sexy.

5. FEEL.

There’s not really much to this track. Kendrick is just rapping about the negative feelings that his worldwide stardom has elicited such as depression and self-hate, hence the blues-y production.

6. LOYALTY. FEAT. RIHANNA.

Again, there’s not really much content to this track. I just see this as a summertime jam that’s good for long road trips.

7. PRIDE.

I wonder what this song is about…

I can’t fake humble just ’cause your ass is insecure

Which sets up the next song, titled…

8. HUMBLE.

This is easily Kendrick’s most mainstream song. Once again, Mike WiLL Made-It comes through with an amazing beat filled with West Coast piano riffs and in-and-out synth hits. I really enjoyed the simplicity of this song because it’s a nice change of pace from some of his deeper and more complex tracks on To Pimp a Butterfly. This is more out of the book of “i” or “Alright.”

As for the content, let me say this…

– No, he’s not mocking Big Sean on the chorus (hol’ up, lil bitch)
– No, he’s not mocking Lil Uzi Vert in the second verse (ayy)

People need to stop reaching and trying to start something that is not there. Besides, don’t you think Kendrick would actually… you know… say their names? Have you heard his “Control” verse?

But the lyric that has most people up in arms?

I’m so fuckin’ sick and tired of the Photoshop / Show me somethin’ natural like afro on Richard Pryor / Show me somethin’ natural like ass with some stretch marks

Seriously… what is wrong with this? He’s just saying his preferences, which does not automatically mean that he thinks everything else is worse. Just stop.

9. LUST.

Unfortunately, this track failed to grow on me after a few listens.

In the second verse, he raps about waking up to the results of the 2016 Presidential Election and not wanting to believe it. But as upset as people were about the election, most people just returned to their cycles. Sure, there were protests, but eventually, everyone returns to doing what they want to do.

That’s what lust can do people. It makes people either do things that they should probably think about or just get them caught in those repetitive cycles.

10. LOVE. FEAT. ZACARRI.

This is the best instrumental that Drake has never rapped over.

The hollow, almost watery synths combined with Zacari’s singing make a for nice, laid-back track. Other then that, there’s not much else noteworthy about this song.

11. XXX. FEAT. U2.

The U2 feature threw a lot of people off in terms of their expectations for this song. However, lead singer Bono only has two very short singing parts, so he didn’t really make that big of an impact on the song.

Based on Mike WiLL Made-It and Sounwave’s production, this song can essentially be divided into two parts.

The menacing and chaotic beat combined with the stray, deep piano keys and sirens really set the tone for the first verse. Here, Kendrick tells the story of “Johnny” getting caught up in his surroundings, a situation that is all too familiar for some young African-Americans in this country.

Johnny don’t wanna go to school no mo’, no mo’ / Johnny said books ain’t cool no mo’ (no mo’) / Johnny wanna be a rapper like his big cousin / Johnny caught a body yesterday out hustlin’

But what stood out to me was his phone conversation with his friend, who just lost his son due to insufficient funds. In other words, he probably got caught up in some criminal activity and didn’t have enough money for a drug or arms dealer.

Anyway, his friend asks Kendrick for some nice, spiritual advice on how to overcome this tragic event. But after thinking about, Kendrick says:

I can’t sugarcoat the answer for you, this is how I feel / If somebody kill my son, that mean somebody gettin’ killed.

All the pro-black and anti-violence rhetoric could all go out the window pretty quick when said violence involves a family member. In other words, ain’t no Black Power when your baby killed by a coward.

The second verse of this song flips into more a jazzy beat as Kendrick explores the shady side of business and politics. Essentially, the United States of America has a well-documented history of setting up African-Americans for failure.

It’s nasty when you set us up / Then roll the dice, then bet us up / You overnight the big rifles, then tell Fox to be scared of us / Gang members or terrorists, et cetera, et cetera

In Kendrick’s mind, America is basically saying, “Despite the history, why can’t you guys just get it together? What’s wrong with you guys?” That is just messed up.

12. FEAR.

Here, Kendrick raps about the different things he has feared at different stages in his life. So in the first verse, he is a young child who fears his strict mother for repeatedly “beating his ass” to keep him out of trouble.

The second verse covers Kendrick’s life as a teenager and his fear of getting caught up with the wrong crowd. He fears dying for a number of reasons, from wearing the wrong colors to stepping foot in the wrong neighborhood. It just goes to show how difficult life was for Kendrick growing up in Compton.

The last verse revisits the fears of his newfound fortune, specifically losing his creativity. Obviously, that would be the biggest thing for an artist to lose because he wouldn’t really have anything to say.

Like FEEL., this was another very deep track that dives deep into Kendrick’s mind.

13. GOD.

While this track does sound a bit mainstream, it is completely different sound from what Kendrick normally does. Not to mention, the main producer, Cardo, is known for his very wavy beats (ex: Kendrick’s “untitled 07 | levitate”, ScHoolboy Q’s “THat Part”).

Laughin’ to the bank like, “A-ha!”

Man, that’s still stuck in my head.

As for the content, Kendrick is asking not to be judged for stuff he did back in the day like getting caught with a strap or fuckin’ all the rats. He’s also asking not be judged for making it and succeeding. Now my home got a Valley peak. It’s a really cool way of saying that people are always going to judge you. Even if you’re doing good at the moment, people will try to find dirt on you. That’s just life.

14. DUCKWORTH.

Personally, I was not a big fan of this track, but I can see why others have praised it. The storytelling is just unbelievable.

Producer 9th Wonder comes through with multiple soul sample flips such as Ted Taylor’s “Be Ever Wonderful.” Kendrick tells the story of his father and his connections with “Top Dawg”, the founder of Kendrick’s current label. There was even a point where Kendrick’s father was almost killed by “Top Dawg” at his KFC job. But of course, chicken and biscuits saved the day.

They robbed the manager and shot a customer last year / He figured he’d get on these niggas’ good sides / Free chicken every time Anthony posted in line / Two extra biscuits, Anthony liked him / And then let him slide; they didn’t kill him / In fact, it look like they’re the last to survive

The last part of the song was especially cool as well. Twenty years later, “Top Dawg” and Kendrick’s father met again at a recording studio. Like Kendrick said, it’s amazing to think about what could have happened had “Top Dawg” went through with his original plan.

Because if Anthony killed Ducky / Top Dawg could be servin’ life / While I grew up without a father and die in a gunfight

FINAL THOUGHTS

While there are a few low points, the highs on DAMN. are really, really high. There’s crazy rhyme schemes, content and lots of interesting concepts. Once again, Kendrick’s versatility shines through on this album. As for his best album, I would still give the edge to To Pimp a Butterfly, but that’s just me.

FAVORITE TRACKS

DNA., FEAR., GOD.

RATING: 4/5

Again, I’m still fairly new to reviewing music, so feedback on this would definitely be appreciated. Let me know what you think in the comment section or send me a tweet @danny_shin131

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Top 5 Disney Songs of All-Time

As a child, there are things that make a lasting mark on your brain. For me, that thing was Disney songs.

Maybe it was that impulse to press “play” over and over or rewind the movie to the beginning of the song. Either way, Disney songs managed to leave wonderful and, at times, useless things stuck in my head. But that’s why creating an entertaining environment is important for children, because it’s possible to give a child a song they will carry with them for decades.

That’s a big part of why, thanks to massive audiences and lots of money, Disney matters. From Snow White, to Beauty and the Beast, and even Frozen, those movies, and the songs they contain, have the potential to stay with a person for a lifetime. The relationship with the movie and songs may change over time, but they will never be forgotten.

This morning, EW announced that “Beauty and the Beast” was the greatest Disney song of all-time. The “Magical Bracket Game” originally began with 64 of the best Disney songs and each week, the field got cut in half until “Beauty and the Beast” remained.

In my opinion, you can’t go wrong with “Beauty and the Beast”. But let’s be honest… there are better Disney songs. So I decided to compile my list and narrow it down to the five best Disney songs of all-time. It was a very grueling process, but I think I got this one right. Of course, you can feel free to disagree in the comments below or on Twitter (@danny_shin131), but without further ado, let’s get started!

*I must place a SPOILER WARNING(!) tag on this post for anyone who hasn’t seen the following movies. Hopefully, that does not apply to many people. If you don’t care about spoilers, then go ahead.*

5. “Circle of Life” – The Lion King (1994)

In assembling a list like this, one must take into account the song’s role in the movie. Not only is “Circle of Life” the best song in a film packed with all-time great songs, but the opening scene of The Lion King is the most visually stunning sequence in the history of the Disney franchise. As all the animals meet upon Pride Rock for young Simba’s baptism, the African-inspired intro gives way to arguably the most powerful chorus of any Disney song. The shots of Pride Rock and Rafiki holding up Simba combined with the lyric, “It’s the circle of life,” makes for two of the most powerful moments in the entire movie.

However, the song also represents a painful reality for some. There’s more to see than can ever be seen/more to do than can ever be done. We all live, age and eventually die. As Mufasa states, “When we die, our bodies become the grass, and the antelope eat the grass, and so we are all connected in the great circle of life.” It is a very valuable lesson that kids will learn early in their lives. It’s the “Circle of Life” that follows each of us in life’s adventures.

4. I’ll Make a Man Out of You – Mulan (1998)

Mulan was one of the great displays of female empowerment, throwing traditional gender roles out the window. After taking her aging father’s place in the Imperial Army, Mulan trains to battle the Huns. Army Captain Li Shang sings “I’ll Make a Man Out of You” in an effort turn his clumsy fighters into soldiers, or in this case, men. More importantly, it serves as Mulan’s transition from an apprentice to a capable soldier, though her captain is unaware that she is actually a woman.

As Mulan struggles to complete different tasks, she gets better throughout the course of the song. In the climactic “be a man” part of the song, she scales a large pole to retrieve an arrow lodged into the top. With “the force of a great typhoon” and the “strength of a raging fire,” Mulan overcomes the odds and brings honor to not only her family, but women everywhere.

(Off topic, but there is no Disney movie more deserving a live-action movie adaptation than Mulan.)

3. Let It Go – Frozen (2013)

From a young age, Elsa has possessed powers that no one understands… the ability to control snow and ice. After spending many years locked in her room, she decides to flee her home and live in solitude. In “Let It Go,” Elsa builds a humongous ice castle for herself. As the chorus rises in emphasis and pitch (which I’ll get to in a moment), it becomes clear that she has had enough of people dictating her future. With a newfound confidence, Elsa really lets it all go and transforms into the best version of herself.

Now, let’s get to Idina Menzel. Her vocal performance took over not only the airwaves, but the minds of every child all over the world. Menzel’s empowering delivery helped turn this song into an anthem for adolescent girls who seek independence from the pressures of acting under traditional gender roles.

2. The Bare Necessities – The Jungle Book (1967)

Baloo was best known for letting his worries slip away, sentiments that were later reverberated in The Lion King‘s “Hakuna Matata.” Basically, “The Bare Necessities” is the “Hakuna Matata” for the previous generation. This song emphasizes the quintessential Disney lesson of not “lookin’ around for something that can’t be found.” By learning to appreciate the simple things in life, one can then truly accept the life they have. It may sound easy to do, especially in song form, but you would be surprised at how many people rarely take time to admire “The Bare Necessities” of life.

It’s also worth noting that the 2016 live-action version of The Jungle Book couldn’t resist making a modern cover of this song. Of course, Bill Murray was the natural choice for Baloo, but I think even he had to know that he could not top the original, right? No offense to Murray, but the laid-back, jazzy singing style of Phil Harris is head-and-shoulders above the live-action version. No one will ever top it.

1. Zero to Hero – Hercules (1997)

FULL DISCLOSURE: I’m a HUGE fan of R&B and soul music.

Granted, “Zero to Hero” tends to stray towards that gospel/Motown sound (like The Supremes), but those elements are especially popular in today’s R&B/soul music. With that being said, this song is an absolute masterpiece. Who put the glad in gladiator? Herc-u-les! The clap-along melody along the change in tempo halfway through will make you want to tap your foot and dance around your living room. Not that I’ve done that before or anything…

What makes this song so intriguing is the “Zero to Hero” message. Sure, Hercules had his god-like strength, but he really struggled to fit in with other people. But with time, Hercules showed tremendous courage and will, and ultimately became someone who many people admire. This message can apply to everyone because anyone can go from a nobody to a “somebody” “in no time flat.” The Motown sound on this song is just icing on the cake.

Let me know what you think in the comments below or send me a tweet (@danny_shin131). What do you think is the greatest Disney song of all time? Did your favorite make the cut? Let the debate begin.

59th Grammy Awards Predictions

The 59th Annual Grammy Awards take place tonight from 8:30 to 11:30 PM ET on CBS! It’s time for us to get pissed off when the artist that we like doesn’t win… because we all know the Grammy Awards are about popularity and politics, NOT musical talent and artistic vision! Here we go!

ALBUM OF THE YEAR
25 – Adele
Lemonade – Beyoncé
Purpose – Justin Bieber
Views – Drake
A Sailor’s Guide to Earth – Sturgill Simpson

WHO SHOULD WIN? Lemonade – Beyoncé
WHO WILL WIN? Lemonade – Beyoncé

If Justin Bieber wins this award…

RECORD OF THE YEAR
“Hello” – Adele
“Formation” – Beyoncé
“7 Years” – Lukas Graham
“Work” – Rihanna Featuring Drake
“Stressed Out” – Twenty One Pilots

WHO SHOULD WIN? “Formation” – Beyoncé
WHO WILL WIN? “Hello” – Adele

Either Beyoncé or Adele can win this award. Just please don’t let Lukas Graham win.

BEST NEW ARTIST
Kelsea Ballerini
The Chainsmokers
Chance the Rapper
Maren Morris
Anderson .Paak

WHO SHOULD WIN? Anderson .Paak
WHO WILL WIN? Probably Chance the Rapper or The Chainsmokers

Just listen to Malibu and Yes Lawd! and you will see why Anderson .Paak is head and shoulders above these other artists.

BEST POP VOCAL ALBUM
25 – Adele
Purpose – Justin Bieber
Dangerous Woman – Ariana Grande
Confident – Demi Lovato
This is Acting – Sia

WHO SHOULD WIN? Dangerous Woman – Ariana Grande
WHO WILL WIN? 25 – Adele

Yes, Dangerous Woman is better than 25.

BEST DANCE/ELECTRONIC ALBUM
Skin – Flume
Electronica 1: The Time Machine – Jean Michael-Jarre
Epoch – Tycho
Barbara Barbara, We Face A Shining Future – Underworld
Louis Vega Starring…XXVIII – Louie Vega

WHO SHOULD WIN? Ummm…
WHO WILL WIN? Flume?

BEST ROCK PERFORMANCE
“Joe” (Live From Austin City Limits) – Alabama Shakes
“Don’t Hurt Yourself” – Beyoncé Featuring Jack White
“Blackstar” – David Bowie
“The Sound of Silence” – Disturbed
“Heathens” – Twenty One Pilots

WHO SHOULD WIN? “Don’t Hurt Yourself” – Beyoncé Featuring Jack White
WHO WILL WIN? “Don’t Hurt Yourself” – Beyoncé Featuring Jack White

David Bowie winning this award would be cool as well, but the Grammy’s are probably planning that image of Beyoncé carrying all of her awards down the red carpet because that would make for a great photo-op, right?

BEST METAL PERFORMANCE
“Shock Me” – Baroness
“Silvera” – Gojira
“Rotting In Vain” – Korn
“Dystopia” – Megadeth
“The Price is Wrong” – Periphery

WHO SHOULD WIN? Why is this is a genre of music?
WHO WILL WIN – Baroness?

BEST ROCK SONG
“Blackstar” – David Bowie, songwriter (David Bowie)
“Burn the Witch” – Radiohead, songwriters (Radiohead)
“Hardwired” – James Hetfield & Lars Ulrich, songwriters (Metallica)
“Heathens” – Tyler Joseph, songwriter (Twenty One Pilots)
“My Name is Human” – Rich Mayer, Ryan Mayer & Johnny Stevens, songwriters (Highly Suspect)

WHO SHOULD WIN? “Blackstar” – David Bowie, songwriter (David Bowie)
WHO WILL WIN? “Blackstar” – David Bowie, songwriter (David Bowie)

Radiohead winning this award would be cool as well.

BEST ROCK ALBUM
California – Blink-182
Tell Me I’m Pretty – Cage The Elephant
Magma – Gojira
Death of Bachelor – Panic! at the Disco
Weezer – Weezer

WHO SHOULD WIN? Ummmm… Brendon Urie & Friends?
WHO WILL WIN? Maybe Weezer, but knowing the Grammy’s… Blink-182

This is the worst field for “Best Rock Album” in the history of the Grammy Awards.

BEST ALTERNATIVE MUSIC ALBUM
22, A Million – Bon Iver
Blackstar – David Bowie
The Hope Six Demolition Project – PJ Harvey
Post Pop Depression – Iggy Pop
A Moon Shaped Pool – Radiohead

WHO SHOULD WIN? Blackstar – David Bowie
WHO WILL WIN? Blackstar – David Bowie

This will likely be the year that David Bowie wins many awards because he’s a huge legend that tragically passed away in the past year. Not to mention, Blackstar got fantastic reviews across the music world and he’s contributed so much to rock music. The only problem is that Blackstar is not as “alternative” as some of the other nominees, and that’s likely due to the fact that he’s such a huge star. But regardless, it would be great to see him take home this award.

BEST R&B PERFORMANCE
“Turnin’ Me Up” – BJ the Chicago Kid
“Permission” – Ro James
“I Do” – Musiq Soulchild
“Needed Me” – Rihanna
“Cranes in the Sky” – Solange

WHO SHOULD WIN? “Cranes in the Sky” – Solange
WHO WILL WIN? “Needed Me” – Rihanna

It’s worth noting that “Needed Me” is not that good of a song. “Cranes in the Sky” should win by a landslide.

BEST URBAN CONTEMPORARY ALBUM
Lemonade – Beyoncé
Ology – Gallant
We Are King – KING
Malibu – Anderson .Paak
Anti – Rihanna

WHO SHOULD WIN? Lemonade – Beyoncé
WHO WILL WIN? Lemonade – Beyoncé

This field has the two of best albums of 2016. Lemonade will win, but Malibu is SO GOOD and seeing Anderson .Paak win this award would be an absolutely amazing story. But unfortunately, it’s the Grammy Awards, which means Rihanna probably has a better chance of winning than Anderson .Paak, which is an absolute travesty.

BEST RAP PERFORMANCE
“No Problem” – Chance the Rapper Featuring Lil Wayne & 2 Chainz
“Panda” – Desiigner
“Pop Style” – Drake Featuring The Throne
“All The Way Up” – Fat Joe & Remy May Featuring French Montana & Infared
“That Part” – ScHoolboy Q Featuring Kanye West

WHO SHOULD WIN? “No Problem” – Chance the Rapper Featuring Lil Wayne & 2 Chainz
WHO WILL WIN? “Panda” – Desiigner

Let it be known… Desiigner will win a Grammy Award before Future.

BEST RAP/SUNG PERFORMANCE
“Freedom” – Beyoncé Featuring Kendrick Lamar
“Hotline Bling” – Drake
“Broccoli” – D.R.A.M. Featuring Lil Yachty
“Ultralight Beam” – Kanye West Featuring Chance the Rapper, Kelly Price, Kirk Franklin & The-Dream
“Famous” – Kanye West Featuring Rihanna

WHO SHOULD WIN? “Broccoli” – D.R.A.M. Featuring Lil Yachty
WHO WILL WIN? Anything but “Broccoli” – D.R.A.M. Featuring Lil Yachty

Kanye West should not even be nominated because The Life of Pablo was an awful album. GET HIM OUT!

The reality is that “Hotline Bling” and “Freedom” are both really good tracks and are more likely to take home the award. But “Broccoli” is so stupidly good, though…

BEST RAP ALBUM
Coloring Book – Chance the Rapper
And the Anonymous Nobody – De La Soul
Major Key – DJ Khaled
Views – Drake
Blank Face LP – ScHoolboy Q
The Life of Pablo – Kanye West

WHO SHOULD WIN? Views – Drake
WHO WILL WIN? Views – Drake

Compared to recent years (like 2013 or 2016), this is a very weak field for “Best Rap Album.” Drake will win, as much as you all don’t want him to win, because Views is better than every other album listed above (even though it’s not as good as Thank Me Later or Take Care).

Again, it’s the Grammy’s. Let’s learn to live with disappointment, okay?

Let me know what you think in the comment section below or send me a tweet (@danny_shin131). Who do you want to see take home a Grammy Award this year?

The xx – I See You Album Review

i_see_you_album_cover

BACKGROUND INFO

ARTIST: The xx
ALBUM: I See You
RELEASE DATE: 13 January 2017
LABEL: Young Turks
GENRE: Dream Pop

CONTEXT

This is the third full-length album from London indie pop band, the xx. One of the biggest acts to come out of the UK in the past ten years, the xx broke out in 2009 with their debut album, xx, which exuded a very minimal-style indietronica and UK bass sound. Their sophomore album, Coexist, combined that sound with a bit more of an atmospheric vibe.

SO HOW WAS THIS ALBUM?

Okay… the singing of Romy Madley Croft and Oliver Sim is still not very good. Just listen to “Say Something Loving” [Track 2].

However, this is easily the most musically engaging album that the xx has produced to date. Unlike the minimal-style tracks of their first two albums, I See You has more lively and exciting instrumentals.

For instance, the album’s lead single “On Hold” [Track 8] takes a sample from Daryl Hall & John Oates’ 1981 song “I Can’t Go For That (No Can Do)” and combines that with these funky rhythms and strangely enjoyable static noise. The following track, “I Dare You” [Track 9], also has an intriguing marching-type beat and the guitars match Sim’s vocal delivery very well. Unfortunately, the chorus of “I Dare You” (Singing oh-oh-oh // Go on, I dare you) brought back painful memories of the overplayed Kings of Leon song “Use Somebody.”

I See You is also The xx’s most dramatic and diverse album to date, once again thanks in part to some climactic instrumentals on songs such as “Performance” [Track 5]. The melancholy string sections emphasizes the pathos of the track while elevating the baseline and echoey guitars.

Unfortunately, multiple tracks on this album contain abrupt, fizzled-out endings (i.e. “A Violent Noise” [Track 4]. “Replica” [Track 6] and “Brave For You” [Track 7]), which made for some awkward transitions.

Another intriguing aspect of I See You is the lyrical content. While there are still tracks centered around love and heartbreak, there are some subtle references to anxiety and the challenges of staying true to yourself in tough emotional situations.

On “Performance”, Madley Croft sings, “If I scream at the top of my lungs // will you hear what I don’t say?” Essentially, she is telling her lover that WHAT she is screaming is not as important as WHY she is screaming. She’s afraid to admit that she is lonely and miserable, suggesting some potential underlying anxiety and self-esteem issues. This made for a very nice change of pace on this album and for the band.

FINAL THOUGHTS

Despite its weak points in terms of vocals and composition, I See You is a decent album. The xx have definitely matured over the years and took some risks instrumentally that worked out very well.

FAVORITE TRACKS

Performance, On Hold, I Dare You

RATING: 3/5

NOTE: This is my first-ever music review, so feedback on this would definitely be appreciated. Let me know what you think in the comment section or send me a tweet @danny_shin131